Another New Review, and a Thorough One, Too.

From amy B, Reviewer at NetGalley, Four stars out of Five

Overall, this felt like a refreshing take on the legend of Medousa, and examining through fiction how some of the myths about her may have come about. There is experience of madness through essentially the solitary confinement of not being able to interact with other beings. She also learns over time to control both her anger and urge to lash out – both as a human and later as a Gorgon, when she learns to leash her fatal power.

Large amounts of pain and suffering form Medousa’s tale, with times of joy and repose. Sensual without being graphic, there are lovely bits depicting the love, romance and sexual relationship between Medousa and Cynisca as young mortal women. Love, longing, and the sadness of missing an absent lover are major threads woven throughout.

Slavery, and the desire for being able to decide her life for herself are major issues for Medousa early in the novel. Once her freedom is won, she is still constrained through societal expectations, including those who knew her while she was still a slave, and her own ingrained attitudes from living as a slave.

The casual sexual assault and harassment was something I could read through, but the author’s portrayal of Athena’s response to the rape of Medousa in her temple I found really difficult to deal with, due to how I have experienced and heard others recount people reacting to sexual assault and rape in real life. While it reflects Ovid’s telling, (which I had forgotten about in the intervening years), the sheer victim blaming of her words is brutal.

While horrific and hard to deal with, it does remind the reader that the Greek Pantheon of Goddesses and Gods were not only the positive aspects commonly associated and interpetted in beginner neo-Pagan and New Age books, but also the sheer brutality contained within mythology and poetry that tends to get edited out in reinterpretations or versions parsed for high school audiences. (Granted, there is a whole other discussion about male authorship and misogyny in classical Greek texts).

For anyone dealing with issues around experienced sexual harassment, assault, or rape, the victim blaming of other characters (and at times, from Medousa towards herself) may be difficult to read, especially pronouncements from characters on her guilt of simply existing provoking or being responsible for the attack.

About Michael Butchin

I was born, according to the official records, in the Year of the Ram, under the Element of Fire, when Johnson ruled the land with a heavy heart; in the Cradle of Liberty, to a family of bohemians. I studied Chinese language and literature at Rutgers University, New Brunswick. I spent some years in Taiwan teaching kindergarten during the day, and ESOL during the evenings. I currently work as a faceless drone in a corporate call center, and am an unlikely martial artist. I have spent much of my life amongst actors, singers, movie stars, beautiful cultists, Taoist immortals, renegade monks, and at least one martial arts tzaddik. I currently reside in my dead grandparents’ house, alone, with an impressive collection of martial arts weapons, where I practice and train daily. I am not currently on any medications.
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